Tagged books

Call for submissions: Bikes in Space 4: Utopia / Dystopia

Announcing…. a call for submissions for the fourth annual Bikes in Space anthology.  futuristic elevated cycling highway

Our 2016 theme is: Utopia / Dystopia

Bicycle transportation is often seen as a means towards a utopian project. The joy of cycling, the environmental and health benefits, and so on, are spoken of almost evangelically, and many riders and advocates have lain awake imagining a world where the bicycle reigns supreme, or at least roams free. Some of the political backlash against cycling is a reaction to this dream of a bicycling future; a dystopian fantasy of a society where cars are outlawed and the freedoms they represent to many are curtailed. Yet others love bicycling but question dominant visions that often seems exclusionary and class-divided. 

For the fourth volume of Bikes in Space, Microcosm’s Elly Blue Publishing invites you to imagine, write, and submit short stories and art on the theme of bicycling and utopias, with a feminist perspective. Golden visions of feminist pedal powered communities vs patriarchal auto-dystopias are fine. But even better are tales that complicate the idea of a fully perfect or fully terrible society, show unexpected viewpoints, and are fun to read. 

Bikes in Space is an outlet for speculative fiction (or related genres) short stories with a feminist perspective that incorporate bicycling or bicycles in some way. What these things mean vary, and we seek a wide range of styles and viewpoints.

Most stories we publish are approximately 2,500 words. Some are much shorter, a few are slightly longer. In general, make your story the length it needs to be. 

We especially seek stories that convey perspectives that have not traditionally been seen and heard in science fiction, and encourage people who don’t see themselves as fitting into any sort of science fiction establishment to submit stories.

Please email submissions to elly at microcosmpublishing dot com. The deadline for submissions is Nov 1, 2015. 

To get a sense for the types of stories we publish, check out the original Bikes in Space zine, the second book, and of course volume 3, Pedal Zombies (the best way to get it before August 4, 2015 is via our Kickstarter project).

Big thanks to contributor Aaron M. Wilson (he has a story in the first volume, and wrote a series of bicycle sci-fi reviews for Pedal Zombies) for the idea, inspired by this year being the 100th anniversary of the original publication of Charlotte Perkins Gilman’s story Herland.

 

Strategies Against Amateurs: Four questions for Joshua Ploeg

joshua ploeg in a candid moment

I just spent an entire month in a smelly van with wickedly funny rocker and vegan chef Joshua Ploeg, author of four Microcosm cookbooks, going around on the Dinner and Bikes tour. Tour life is a mixture of hectic and regimented, and in that time we never got a chance to sit down and do a proper interview. You can follow Joshua’s schedule here, keep track of his doings here, and buy his new album here (vinyl) or here (digital)

You’re the Traveling Vegan Chef—and that’s so much more than just going places and cooking. What does it mean? How is what you do different than, say, a catering company or a chef who works at a restaurant?

Well, I go from town to town, usually on public transportation or rideshare… I don’t really bring any gear, not even my knives lately. I cook often in apartments or homes for dinner parties, sometimes in random facilities for multimedia or art events and presentations, sometimes popups in restaurants, and occasionally a wedding thrown in there. It’s pretty ramshackle… the good things are I get to hang out and party with the hosts, I don’t have a boss and the trips usually cover themselves as I go along. I’ll spend a few days to a few weeks in each town then move on to the next. In a way it’s sort of a medieval model crossed with a punk rock touring concept.

What was the first cookbook or cookzine that you wrote? How many have you made since? Any favorites?

The first one was a comb-bound, photocopied tome called Something Delicious This Way Comes: Spellbinding Vegan Cookery. It was fun. That’s why I started touring with dinner parties, I was trying to sell that thing. Although I had been doing random events and regular dinners already for several years before that started, I just stayed mostly in my own area (the Pacific Northwest) before. I’ve made I think eight since then, with several more in the queue, with two publishers and still some self-made items as well. I like This Ain’t No Picnic a lot because it has some fun photos, interesting commentary, playlists, etc. It’s fun conceptually and is fairly interactive and involved a bunch of friends in the whole affair. Also So Raw It’s Downright Filthy which I like because it has pictures of garbage and is a garish colour.

Your band Select Sex has a new album! Tell me about it!

Yes, comes out end of June/early July! It’s on the German queercore label Our Voltage. They also put out Vow, Body Betrayal, Red Monkey, Wishbeard and our Select Sex 7″ so far. Vinyl will be limited and is an import. People will be able to mail order them, or can get them at our live shows. The download will be easier to come by, the label should have a link to that. The record is called Strategies Against Amateurs. You’re welcome! It’s good hardcore with some pretty melodic parts, I think it’s my favorite thing I’ve been on so far. Catchy and moody but also pretty brutal here and there. Live show wise, I have some exciting things planned for the next year as far as performance. Gonna take it up a notch. You’ll see. (Update: You can now get Strategies Against Amateurs on vinyl or as a digital download.)

Can you talk about how your music and your cooking are connected? Logistically, thematically, methodologically, however else you’re thinking about it?

My music has always been chaotic and not pretty, so is my life, so is my cooking. It can be challenging, I use weird but functional methods sometimes. I believe in using what you find around you and living in the circumstances you find yourself in and shopping where the people in each place shop and selling your stuff at a reasonable price. Sometimes things are abrasive or challenging, not everyone is going to like everything I do. I don’t try to alter the course for greater demand or pay any attention to trends. I do this more or less how I want to do it and it is generally only affected by logistics. If it is too screwy for some but inspiring to others, fine. It ain’t pretty but it is beautiful.

This interview with Joshua Ploeg is part of our ongoing series of author interviews. The previous one was with Teenage Rebels author Dawson Barrett. The next is with cartoonist Bikeyface.

Aftermath of Forever: Relationships, described through music

aftermath of forever coverIn this new blog series, we ask Microcosm interns to pick any book we’ve published and review it. Cyn chose Aftermath of Forever: How I Loved and Lost and Found Myself. The Mixtape Diaries by Natalye Childress.

In college I went through a phase of pure obsession with young women’s romantic memoirs—the funny kind, that is. Chelsea Handler’s “My Horizontal Life”, the infamous Belle de Jour book, Abby Lee’s “Girl with a One-Track Mind”. I loved the brazen openness of these women, their realistic attitudes, and the humor they found in even the most awkward sexual experiences and heartbreaks.

So, Aftermath of Forever caught my attention immediately, and I loved it. 

At its base, this is a collection of short pieces about the author’s previous romantic interests. Some lovers, some potentials, and some that she just loved in one way or another. The chapters serve as odes to each of the men that have passed through her life after a fierce divorce in her early twenties.

Throughout the book, Natalye is very aware of the effect each man has on her life, both in the moment and long after. That awareness keeps her journey interesting, watching her wants, needs, and general lifestyle change and evolve with each passing beau, from her very open, early exploration of her own sexuality to casual exploits, and even falling for men she’d never expected to love.

Sometimes I questioned her normalcy when compared to needy, problematic men with a plethora of issues, but then Nat acknowledges and explores her own issues: questionable choices, occasional neediness, and common vulnerability. She expresses her wants and needs on almost every page and doesn’t apologize for them. On the road to finding and loving your self, that’s a huge step, and Natalye shows her strength in that aspect of herself. You can’t help but admire it as the stories go along.

The descriptions are well done and very realized, with a surprising amount of detail. Sometimes, though, this level of detail felt a little bit tedious, with every action transcribed, even when it served no purpose in the end. But I like that this level of focus shows Nat’s awareness of the world around her, and it does give really solid visuals, though near the end it sticks out a little more.

After reading for a while, I started building the provided playlists online and going back to re-read the chapters along with their designated musical selections. With the music playing, there’s an extra boost to the atmosphere of each chapter that isn’t as pronounced without it. Max’s chapter is soft indie and bittersweet, reflecting Natalye’s wistful feelings towards their almost-relationship, as well as her vulnerable time post-divorce. Van, her first lover, is accompanied by relaxed, chilled out romances with young, poppy elements, fitting well against their young, casual sexuality, and a feeling of something missing. Chaz has two lists, one being his own creation, mimicking the intense connection they shared in their life together, their sexual explorations, and pure trust. Marques, the boy in a band, gets a backdrop filled with metal, reflecting not just his musical tastes, but also their intense but erratic relationship.

The one part I thought was lacking was a level of reasoning for the lists. She gives a general explanation and theme of each, but since a mixtape has a very deliberate selection, I would have loved to know more about why she chose certain songs. More insight into her process, I think, would help me to connect with her more, and be more fun to read! 

Am I taking all of this a little too seriously? Maybe. But this book explores relationships through musical choices, and the way those choices are made, and then are able to meld with the individual chapters, is a huge part of experiencing the story.

I also appreciate that the book doesn’t end (spoiler alert!) with a chapter about Nat finding an awesome guy. This isn’t a book about finding love. It’s about navigating love while you find—and love—yourself. To that end, the ending works. And there’s a lesson in that alone, making this book kind of perfect for anyone struggling through similar experiences and looking for ways to make sense of it all. 

Be honest, never give up on your self, and always listen to music you love.

This is part of our series of Microcosm intern book reviews! The last one was Coco’s review of White Elephants.

Sharing food and knowledge: An interview with Raffaella Tolicetti

raffa cooking onboardAfter Raffaella Tolicetti graduated from college, she signed up to volunteer on a Sea Shepherd ship, setting off with a group of other activists to sail the high seas to prevent illegal whale hunting. She quickly was appointed the crew’s chef, despite no professional cooking experience. Her cookbook, Think! Eat! Act! shares what she’s learned about animal rights activism, veganism, and of course cooking on a tight budget on board a moving ship. She took a moment on land to answer these questions, right before boarding the Sam Simon for an anti-whaling campaign in the Faroe Islands.

Think! Eat! Act!  is an unusual cookbook—at least, I haven’t ever seen another cookbook that other than just recipes and stories also tells you how to get vegan food in prison. How did the book come to be?

Over the last ten years or so, I have had the chance to meet a lot of people that inspired me with what they were doing to address issues of social injustice, racism, animal exploitation or earth destruction. I have learnt a lot, and I felt that I wanted both to share with as many people possible the knowledge that I had acquired, but also to give back to the people that have inspired me so much, supporting their efforts and campaigns giving them a space and a voice to speak out, and giving them money to fund their cause. 

I had been a vegan cook with Sea Shepherd for three years at the time the idea of a book mixed with recipes and info on activism started to grow in my mind. On one side, a vegan cookbook to demystify the difficulties of vegan cooking, considering that during that particular campaign we had very little, I had to do all the food from scratch with no “intermediary” ingredients (no mock meat, cheeses, or eggs for example) and I had a lot of fun cooking with very simple ingredients, even when the conditions were hard (we got rammed several times during that campaign, were in the rough seas of Antarctica, and I still kept cooking the whole time!). On the other hand, one of my friends was starting his own campaign in Canada, funded by the Wildlife Defense League, and I felt I should support him somehow even if I couldn’t be there physically. 

From that moment, I couldn’t stop thinking of all the projects I wanted to give voice to, and not forget that while we enjoy a lot of our freedom in our every daily life, some people are in jail while defending the same ideals we share. I had put those thoughts into written words, hoping they would reach as many people as possible, even people that are far, far away from veganism or activism. This was my main interest from the beginning. There are so many vegan recipe cookbooks, you can find inspiration everywhere, so I wanted Think! Eat! Act! to bring something different. Having vegan info, recipes and then testimony from activism sounded like a good balance in a book, something new.

What are your favorite recipes for the following situations: While on a blockade; in the doldrums; in a storm; for a celebration; the first thing you want to eat when you get on land?

I’ll start with the easy one, first thing I want to eat when I come back to land: lettuce and fruit! Just fresh stuff, simple as possible!

In a storm, only rice, if anything. That might even be too much for my stomach.

For the blockade, something handy like a nice piece of bread with the broccoli cream. In the doldrums, garlic and chili spaghetti, and for a celebration… maybe asparagus lasagna? Or carbonara?

Do most Sea Shepherd chefs cook similar meals, or do you all have very different styles?

On the ships we come from really different countries and so far I have been working with cooks that are from Australia, Singapore, Sweden, America, Italy, France, South Africa, and more, so we all have very different styles to start from. But then we all got to work together and exchange recipes so there are classic meals that are done on all the ships. Basically the one the crew always ask for. Like seitan schnitzels, ravioli, tiramisu, pad thai, mainly all the comfort foods!

What is your next adventure?

I am heading at sea tomorrow for a new campaign in the Northern Sea. If you want some updates check the Sea Shepherd Global website!

This interview with Raffa Tolicetti is one of a series of author interviews. The last one was with Teenage Rebels author Dawson Barrett.

 

 

 

The Kids are Alright: An Interview with Dawson Barrett

Dawson barrettA whole lot of hours and days and weeks in the last year at the Microcosm HQ have gone into pouring love and effort into Teenage Rebels: Stories of Successful High School Activists from the Little Rock 9 to the Class of Tomorrow. We couldn’t be prouder of the end result, which just came back from the printer. Author Dawson Barrett kindly answered some questions about the book and his vision:

How did your original idea become the book that readers can hold in their hands today?

The story of the original idea is not especially interesting, but the punch line is that Joe Biel and I have some similar political ideas and both think the kids are alright!

The book includes about fifty short vignettes. Some of them are pretty famous (the Little Rock 9, Brown v. Board of Education), but many of them have not been thought about, by anyone, in several decades. They had been essentially lost to history, but the digitization of newspapers has given them a chance to be re-told. The stories that made it into the book were my favorites, but there were hundreds more.

After I wrote the vignettes, Meggyn Pomerleau put the cover together and added the illustrations. I think about half of them are loosely based on actual historical photos, but for the rest she had to work from scratch. And they really bring the stories to life. The book is not quite a graphic novel, but it shares many of the same story-telling advantages.

Who is the book for? Who do you ideally want to read it?

teenage rebels sample pageIn my mind, there are two main audiences for the book. The first is the most obvious. It’s for teenage rebels! I wrote it for young people. It’s their history. So, I hope they find it useful. I think these stories are empowering, and teens are an especially disenfranchised group. My own teen years were an exercise in correctly identifying injustices and then directing my anger almost entirely at the wrong targets. So, I hope young people will read the book and see that it is possible to vent your frustrations in ways that actually make positive changes. The future is in their hands.

The second audience for the book includes teachers and other people who work with youth or who are otherwise interested in being their allies. As I think about it, though, this is really just an indirect route to the first group!

I’m a history teacher, and all over our country, there are serious efforts to re-write the US history curriculum to downplay inequality and protest and instead promote empty patriotism and respect for authority. Those are the actual stated goals of one such campaign. I would love to counter that. My dream would be for high school teachers around the country to find themselves with a few extra minutes left at the end of class, and maybe talk about something a bit more exciting (like, say, a couple of stories from this book!). They are set up to be conversation starters: Why were the students upset? How did they try to make change? Why did they win or lose? How does this compare to your school experience?

Were you a teenage rebel yourself, or did you come to be an appreciator of teenage revolution later in life?

Teenage rebels coverI was a pretty angry (and overly serious) young person, and I went to high school in a very conservative, small, and often small-minded town. Thankfully, I had a few friendly teachers and a very active punk rock scene. My friends and I primarily rebelled by putting on punk shows and through them creating our own social spaces. And that required a lot of organization. Our town couldn’t sustain a music venue, so we had to rent out American Legion halls and do all of the work ourselves—book the bands, hang up flyers, set up and clean up, etc. So, basically, just imagine a 16-year-old with a mohawk haggling with a Korean War veteran over a broken folding chair at the end of the night. That, in a nutshell, was our teenage rebellion.

Those experiences very much shaped who I’ve become, but at that time I had no real understanding of how power works. So, I really wouldn’t call anything I did “activism.” I didn’t find activist politics until a bit later on.

You’re going on tour with the book in July and August. What will happen at your tour events and why did you choose this way to promote the book?

Well, DIY punk tours were a huge part of my life at one point, but it’s now been ten years since my last one. This tour will essentially swap out basements and squats for independent bookstores and public libraries. And I’ll be accompanied by my partner and our three-month-old, instead of a band. I do think the spirit of the tour will be similar, though. The goal will still be to meet new people and see new things. Plus, I think there’s at least a discussion to be had as to whether squats or libraries are more under assault from the powers that be!

Thus far, the talks aimed at teens will be a combination of stories from the book and brainstorming sessions around who makes the decisions that govern high schools, which decisions young people would like to see changed, etc. This is really a new world for me, but teen librarians are awesome. At one event, after my talk, we are all going to make protest posters. At another, there will be a button-maker for protest buttons. I think it’s going to be a fun tour!

Anything else I should ask?

I’m not sure what the question would be, but the answer is that, honestly, the book is really fun, no matter your age. I’ve read these stories hundreds of times now, but many of them still bring a smile to my face. The kids are alright, indeed!

Also, the book makes a really great gift for the rebellious teenager (or teacher) in your life…and for the teen section of your local library…and maybe even the library at your old high school…

This has been an interview with Teenage Rebels author Dawson Barrett. It’s one of a series of author interviews; the last one was with Consensuality author Helen Wildfell. The next is with vegan cookbook author Joshua Ploeg.

White Elephants: A review

white elephants book cover

I began Katie Haegele’s White Elephants intrigued by the idea of finding magic in yard sales, because I too seek meaning in the conventionally benign. 

The book begins with a thoughtful meditation on the catalogue of experiences and objects that is to follow. It opens with a dose of explicit emotional honesty, which establishes the tone of vulnerability that pervades and characterizes the author’s writing. 

Just when I am growing bored with the endless tabulation of strange, kooky, sometimes creepy, random articles, Haegele expresses an impression so specific, so obscure, and so resonating that I feel an absolute sense of human connection. Things that I inherently understand, without having ever quite put into words myself. The feeling of autumn, crying internally—all small, and beautiful sentiments Katie captures with the clarity of her perceptive voice. The author is dreamy, she senses the life we instill in our possessions that eventually become discarded, and in rescuing them is perhaps saving a part of herself. 

White Elephants parallels rummage sales and yard sales with the death of one parent that catalyzes an intimacy with the other. It is a book about losing and finding, being lost and ultimately being found.

Find your own copy of White Elephants here. You can also read an interview with the author on our blog!

This is the first of a series of Microcosm intern book reviews. The next one is Cyn’s review of Aftermath of Forever.

Breathe New Life Into This: Meal Deal With the Devil

Our intern Coco is funny and perceptive and has a hilarious Twitter account. So we plopped a stack of books in front of her that, for one reason or another, we have way too many of in our warehouse, and asked her to write short descriptions of who each book is for, based only on looking at the front and back cover. She obliged, and we’ll be featuring her analyses one by one in hopes of making new matches between books and readers.

Here’s our first swing, at the greatest little golden book you never had as a kid:

 

meal deal book cover

 

Book: Meal Deal With the Devil by Dan Abbott, Corbett Redford, and Jason Chandler

What it is: A sing-along songbook for adults by cult music heroes Bobby Joe Ebola and the Children MacNuggits

Problem: The book’s price was too high. We originally set it at $19.95 because of its high production cost (it’s a full-color book on special paper that comes with a CD), but most readers didn’t want to pay that much. We’ve since lowered the price, but the book had already lost steam.

Market analysis: Coco says that this book is right for: 

  • A group of guy friends who formed a Black Sabbath tribute band that’s actually pretty good.

  • Dads with a sick sense of humor who love screen-printing and hanging out with their buds in the basement of the comic book shop on Saturday nights.

 

Is it true? Is this you or someone you know? Only time will tell.

The Long Road to Consent: An Interview with Helen Wildfell

helen wildfell and a puppyHelen Wildfell came to us with a proposal for a zine about her experiences learning to build healthy relationships. We liked it so much that we asked her to turn it into a book. The result is Consensuality: Navigating Feminism, Gender, and Boundaries Towards Loving Relationships. With the help of a handful of brave coadventurers and Microcosm designer Meggyn Pomerleau’s illustrations and interactive activities, Consensuality is like a friend friend who sticks with you through the toughest times and helps you always move on to do things better. 

Consensuality is a very personal book, in which you and others share some pretty hard-learned lessons and brave levels of self-examination. Did you know the major themes of the book before you started writing, or did the insights come out in the writing process?

I initially wrote about the topics in Consensuality out of emotional necessity. I was at a place in my life where I needed to reexamine how I approached relationships, and writing was my method for sorting through my own gender and sexuality. As I continued to write, I began to notice that certain emotional themes kept reappearing. For instance, the three R’s in the book (Regretful, Resentful, and Respectful) emerged through the simple act of writing down my feelings.

There were still many more insights to be gained after I began turning Consensuality into a full-length book. I focused more on uniting the themes into a cohesive idea of Consensuality, which eventually led me to realize that consent is more than a concept, it’s a long journey with changing themes. Each time I reread the book, sit down to write something new, or just interact with my partner, I discover additional ideas about consent and how it works within relationships.

Your book is different than most other books about relationships; you don’t offer rules or formulas for having a healthy relationship but share examples instead. Can you talk about why you chose to write this way?

I think many “self-help” books reinforce the idea that there is one way to live life. Acting as an authority on a topic and creating rules for obtaining success can make the ideas in a book appear as some sort of absolute truth. But as convenient as it would be to have a formula for healthy relationships, examples of personal experiences provide more insight into the intricacies of human bonds. It was very important to me that my voice be read as one perspective in the larger conversation about healthy relationships. Including contributors as co-adventurers was also a crucial part of providing a fuller picture of consent. The other authors involved in the book offer viewpoints that extend beyond the limits of my individual experience.

consensuality cat by meggyn pomerleauThe book comes out July 14th. How do you think readers will respond? How do you hope the book will be taken?I imagine that it will be easy for some readers to relate to the experiences and lessons in Consensuality, while other readers may find blind spots in how I wrote about consent. There’s so much to explore when you’re interacting with another person; I know that we are only scratching the surface in Consensuality. Regardless of whether they like or dislike, agree or disagree, with what I wrote in the book, I want the readers to feel empowered to start talking about these issues in their relationships. There are a lot of ideas about consent out there, some good and some bad, but I’m very excited that people are considering consent at a societal level with policy changes and at a personal level with stories about intimate interactions. As people read more about gender, sexuality, and boundaries, I hope they’ll begin to feel more comfortable discussing consent with their sexual partners.

What’s next for you?

The plan is to continue reading, writing, and talking about equality in relationships. I’d like for my next project to start from a personal place, like Consensuality did, and lately I’ve been thinking a lot about how money affects relationships. It was a major issue for my parents, even years after their divorce, and while my partner and I generally have healthy communication habits, the intermingling of our finances is new territory for us. It’s easy to see money issues as something that only irresponsible people face, but the reality is that as long as money is unfairly distributed, it will challenge equality in all relationships. I want to start exploring how individuals can challenge the effects of economic inequality in their personal relationships.

This interview with Helen Wildfell, author of Consensuality, is the latest in our series of author interviews. Our last author interview was with Crate Digger author Bob Suren. The next interview is with Teenage Rebels author Dawson Barrett.

An interview with Bob Suren

bob surenBob Suren’s book, Crate Digger: An Obsession with Punk Records, comes out on June 8th, and advance copies have been immediately charming everyone in sight. The kickstarter-funded book captures the ups and downs of Bob’s life as a legend of Florida’s hardcore scene and a bellwether of the changing music industry. 

Be sure to check out Bob’s youtube channel for priceless Florida hardcore moments of years past. You might also be able to catch him on tour this July if you live…well, just about anywhere in the southeastern, mid-atlantic, or central parts of the US. Best yet, he’s recording an audiobook of Crate Digger, and many bands discussed in the book have given permission to include their music.

1. Lore is that Crate Digger started as a series of Facebook posts. How did those eventually turn into a book?

A: One of my friends, Shane Hinton, who is 14 years younger than me but a gifted writer and college writing professor, told me that the stories were too good to just be Facebook posts. He told me I should turn it into a book but I didn’t think I had enough stories in me and I didn’t know how to organize it. Shane gave me the idea to organize it as a record collection, with the stories in alphabetical order according to the record titles that they go with. I thought that was clever. For a few months, I only wrote once or twice a week, 300 to 1,000 words at a time. Then The ideas started pouring in and I had to keep a list of everything I wanted to squeeze in. Then almost every day after work for a couple of months, I’d try to write a chapter and it came together really fast. Maybe three months of casual writing and then two or three months of hustling. I got exciting as I saw the ideas getting crossed off my list and the writing went faster. The last day I wrote, when I saw the end was in sight, I wrote nearly 8,000 words. That was Easter Sunday 2012. 

Then came the hard part—trying to find a home for it. For about three or four months, I tried big publishing houses and agents. I did get some positive feedback but no offers. Then I gave up for about four months. Then a friend laid out all the text for me like a book, with graphics and formatted pages. That got me really excited and I started looking for a publisher again. For the second time around, I decided to go after indie publishers and made a short list of about ten. The publisher I really wanted ignored me, which I thought was rude. Then I skipped a few names down the list and tried Microcosm Publishing on my fourth or fifth day of the renewed search. Joe was into it right away. After just a few emails, maybe just 90 minutes times, I was looking at a contract. He had only read two sample chapters. I asked him if he wanted to read the whole book first and he said no. By the time I flew to Portland in Aug. 2014 for the final edit, Joe had only read about half the book. He read the second half for the first time with me right by his side. The editing process was fast and easy. I think we only lost about six pages from the original text, mostly redundancies. I was expecting to bang heads, but the editing process made for a stronger book.

2. The book is organized alphabetically—is that how you used to organize your record collection?

A: When I only had a handful of records, I kept them in the order I bought them, with new stuff up front and old stuff in back. Eventually, this method made it too hard to find what I wanted so I went to alphabetical. I used to keep all the unheard stuff in a small stack on my desk until it got cleaned and listened to once or twice before shelving. I once had a job at a public library. To get the job, they made me alphabetize a bunch of books and put a bunch of books in order by Dewey Decimal. I think it was 40 books in all, all scrambled. They said I had the fastest time ever. I think I did it in less than two minutes. They didn’t know about Sound Idea, the dustiest but most well-organized record store of all time. Even the T-shirts and stickers were alphabetized.

bob suren meets henry rollins3. Fan response to your book has been tremendous—do you have any stories to share about how people are reacting?

A: Yes, I have been getting lots of emails from old friends and people I never met telling me that the book touched them, that they can relate to it. I just got a long email today from a guy I never met who had some of the same experiences. I think what makes a good book or a good song is that it is relatable. That’s why all those old blues songs still make people feel good, because the listener knows he’s not all alone. So, there are a lot of relatable stories and a lot of universal themes, what I like to call the Big Stuff. I wanted to put in a lot of the Big Stuff so that even people who don’t know the music can understand. My 70 year old co-worker told me that she didn’t know anything about punk but she went through all the Big Stuff, too. That’s exactly what I wanted to do. 

And, of course, there are stories so bizarre that they could have only happened to me. Yesterday a guy asked me if the story about the FBI agent is true. Yes, every bit of this book is absolutely true. A lot of people from my past have found me on Facebook recently and ordered the book. That’s been kind of odd but cool.

4. You’ve been navigating the music industry as it’s gone through some massive changes. What do you think is the next big thing? Or, if different, what do you hope it will be?

A: I don’t really follow the industry anymore and I am kind of clueless. I never was good at gauging trends. I could never figure out why some bands were big and others weren’t. I just followed my heart and did things the way that felt right. Some of that was successful and some of it was not. I wish good luck to all the bands, labels, distributors and record shops out there. Vinyl is huge again. I didn’t see that coming. I have no idea how long that will last, but most of the people in music are my kind of people and I wish them well. I just don’t want to crunch numbers any more and play the public relations game. I barely even want to go to shows anymore. I go to shows to talk to my friends between bands. I don’t pay much attention to what is on stage, to tell you the truth. I’m not jaded, I am just more interested in other things. If you give me the choice between a three band punk show or bowling, I’ll take the bowling. It’s new ground for me. I’m no longer interested in treading water.

5. What’s the next big thing for you?

A: Oration is going to be part of my life, reading dates and freestyle talking. I have been playing around with the idea of stand up comedy, too. And I have been writing a lot of poetry which I bet already has people laughing but I don’t care. I am not writing it for them. I’m finding poetry a great way to express myself in short bursts with no limits. I’m also very excited about recording the audio book version of Crate Digger because that’s something I have never done. New territory excites me. Ask me if I want to make a quilt and I am going to say yes because I have no idea how to make a quilt. I want to get into voice over work and maybe acting if I can get a foot in the door. That’s a whole new world that I know nothing about and I may be terrible and I may hate it, but I sure want to try.


This has been an interview with Bob Suren, author of Crate Digger. It’s part of a series of interviews with Microcosm’s writers. The last one was with Why We Drive author Andy Singer. The next is with Consensuality author Helen Wildfell.

Introducing the Scene History Series

Are you stoked about the history of your town? Do you find out interesting nuggets by talking to those who came before you or by researching the details out from books and the Internet? Do you want a reason to hunt out some people you respect for them to fill in the gaps?

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Well, the Scene History Series is an opportunity to do just that. Like our Simple History Series, we will publish three issues each year, each about a scene that tells the stories of the characters and interactions the scene has with the outside world. 

Due to their tremendous early popularity, we are expanding this series from zines into paperback books.

And we’re believing in democracy here. We are offering an open submission policy for this series. If you want to write about the history of a music scene that you are knowledgeable about or willing to research, we’ll read it, edit it, and work with you, with the goal of us publishing it.

We ask that you focus on the nuts and bolts of the scene rather than one individual, band, or encyclopedic trivia. Focus on the narrative, the characters, and the story. Why was the scene interesting? What made it tick? Why did people become so attached to it? What was unique about how it looked, sounded, and smelled? How did it redirect people away from alternate lives and change the way that they looked at the world forever?

Suggested length is 15,000-30,000 words. Get as creative as you find gratifying. Learn about your favorite places and how things developed.

Submit or ask questions to joe at microcosmpublishing daht com

 

Scene Histories so far (find all the published ones here:

1. Punk in NYC’s Lower East Side, 1981-1991 by Ben Nadler

2. The Rock & Roll of San Francisco’s East Bay, 1950-1980 by Cory M. Linstrum

3. Out of the Basement: From Cheap Trick to DIY Punk in Rockford, Illinois, 1973-2005 by David Ensminger

4. The Prodigal Rogerson: The Circle Jerks and The Golden Years of LA Punk by J. Hunter Bennett

5. The Bounce scene of New Orleans

6. Syracuse, New York and the foundation of vegan straightedge hardcore

7. Caribean Hip Hop

8. Peoria, IL